Aotearoa New Zealands election 2023

In view of the upcoming elections of in Aotearoa New Zealand, the interpreter has published a little comment of the current political situation.1 This blogpost offers a little summary of it.

Aotearoa New Zealand’s 2023 election is shaping up to be one of the most divisive in recent memory, with significant policy differences between the incumbent Labour Party and the opposition National Party. Key issues at stake range from economic policy and fiscal responsibility to Māori rights and cultural identity, creating a uniquely polarised political landscape.

Economic policy clash

Under the banner of ‘In it for you’, Labour has proposed a broad agenda, including extending free early childhood education to two-year-olds, providing financial benefits to working families and offering free dental care to those under 30. While these policies appeal to many, they come at a significant economic cost. Aotearoa New Zealand’s national debt has risen from $5 billion to over $100 billion in the last four years under Labour.

In contrast, the National Party’s ‘Let’s get New Zealand back on track’ campaign promises to cut government spending, cancel some of Labour’s projects, support the agricultural sector, encourage private enterprise and tackle rising gang violence. Their vision includes disciplined spending, lower taxes, less debt and robust fiscal buffers to withstand future economic shocks.

Co-governance controversy

Co-governance has emerged as one of the most divisive issues in this election. National’s Christopher Luxon is strongly opposed to co-governance, while some of Labour’s coalition partners, such as the Greens and the Māori Party, favour a statutory power-sharing arrangement that would give them a permanent seat in government. This proposal challenges democratic norms and is seen by some as a potential Māori takeover. Prime Minister Chris Hipkins’ vague alternative of ‘mahi tahi’ or working together has failed to reassure most voters, according to the polling data.

Cultural and linguistic debates

The possible renaming of New Zealand to ‘Aotearoa’ has become another contentious issue. Activists and even some television presenters have embraced the use of Aotearoa, while others oppose the change, arguing that it is not racist to use “New Zealand”. This debate highlights deep cultural and identity divisions within Aotearoa New Zealand society.

Reparations and deadlines

National’s Luxon has set a deadline of 2030 to resolve long-standing Māori community claims for reparations for past wrongs. Despite efforts to resolve these claims, they continue to pile up, with billions of dollars at stake. The issue of reparations remains complex and divisive.

Election dynamics

In the final week of the campaign, polls show National leading with 35.8% support, with Labour trailing on 26.8%. The Green Party, with just over 12%, and the Māori Party, with 2.8%, have significant influence. In addition, Aotearoa New Zealand First’s Winston Peters, a political figure, could once again determine the balance of power with his party’s 5.7% support, potentially forcing National into a coalition arrangement.


Aotearoa New Zealand’s 2023 election is a unique and divisive political moment, characterised by stark policy differences, deep-seated ideological clashes and cultural debates. The nation is at a crossroads, with voters facing critical choices about economic direction, Māori rights, cultural identity and the future of their political landscape. The outcome of the election will shape Aotearoa New Zealand’s trajectory for years to come, reflecting the diverse views and values of its citizens.

  1. Parker Selwyn: New Zealand elections: Working together or co-governance?, in: The Interpreter, 11.10.2023,, Last Access: 12.10.2023. []

Summary of the article: “Archivbericht Neuseeland” – 2009

Almost 15 years ago, in 2009, the german archive journal “Archiv, Theorie & Praxis – Zeitschrift für Archivwesen” of North-Rhine Westphalia had published a general overview and introduction of the Aotearoa New Zealand archive system. You can find the article as a .pdf here under this URL online in german language.1

Heusterberg, Babette: Archivbericht Neuseeland, in: Archiv, Theorie & Praxis – Landesverband NRW, 62, 2, 2009, p. 176-182.

With this blogpost, I would like to offer you a brief summary in English language of the article: Archives are an essential part of preserving and providing access to historical records and cultural heritage. The authors explores the archival landscape in Aotearoa New Zealand, with a particular focus on the National Archives /Te Rua Mahara o te Kawanatanga. The article provides an overview of the history of archives in New Zealand, the current state of archives, and the various initiatives that Archives New Zealand has undertaken to improve its services and increase access to its collections.

The history of archives in New Zealand:

The history of archives in New Zealand dates back to the early colonial period, when the first government records were created. However, it was not until the late 19th century that a formal archival system was established. The National Archives of New Zealand was started in 1957 and changed to Archives Aotearoa New Zealand in 2003.

Current state of archives in Aotearoa New Zealand:

The archives in Aotearoa New Zealand are classified into three primary categories, namely government archives, private archives, and community archives. Archives New Zealand is responsible for preserving and providing access to the records of the New Zealand Government and other records of national importance. Then the author describes the various functions of Archives Aotearoa New Zealand which includes appraisal, acquisition, preservation, and access. The article also discusses the obstacles faced by Archives Aotearoa New Zealand, including the limited resources and the necessity to balance access with privacy concerns.

Archives New Zealand initiatives:

Archives Aotearoa New Zealand has undertaken numerous initiatives recently to improve its services and increase access to its collections. These initiatives include the digitisation of records, the development of online finding aids and the creation of partnerships with other institutions. The article also discusses the various outreach programmes that Archives New Zealand has developed to engage with the wider community, such as school programmes and public exhibitions.

Digitisation of records:

Archives Aotearoa New Zealand has undertaken a significant digitisation programme to make its collections more accessible to researchers and the public. The digitisation programme includes the scanning of records, the creation of digital finding aids and the development of online databases. The article notes that while digitisation has many benefits, it also presents challenges, such as the need to ensure the long-term preservation of digital records.

Online finding aids:

Archives Aotearoa New Zealand has developed a range of online finding aids to help researchers navigate its collections. These finding aids include online catalogues, indexes, and guides to specific collections. The article notes that these finding aids have greatly improved access to Archives Aotearoa New Zealand’s collections, but there is still work to be done to ensure that they are comprehensive and up to date.

Partnerships with other institutions:

Archives Aotearoa New Zealand has developed partnerships with other institutions to increase access to its collections and promote the importance of archives. These partnerships include working with museums, libraries, and other cultural institutions. The article notes that these partnerships have been successful in raising awareness of archives and creating new opportunities for research and engagement with the wider community.

Outreach programmes:

Archives Aotearoa New Zealand has developed a range of outreach programmes to engage with the wider community and promote the importance of archives. These programmes include school programmes, public exhibitions and online resources. The article notes that these outreach programmes have been successful in raising awareness of archives and creating new opportunities for engagement with the wider community.

Challenges and future for archives in Aotearoa New Zealand:

Despite the many initiatives undertaken by Archives New Zealand, there are still challenges that need to be addressed to ensure the long-term preservation and accessibility of New Zealand’s documentary heritage. These challenges include limited resources, the need to balance access with privacy concerns, and the need to ensure the long-term preservation of digital records. The article concludes by calling for continued investment in archives and greater collaboration between archives and other cultural institutions to ensure that Aotearoa New Zealand’s documentary heritage is preserved and made accessible to future generations.

  1. Heusterberg, Babette: Archivbericht Neuseeland, in: Archiv, Theorie & Praxis – Landesverband NRW, 62, 2, 2009, p. 176-182. []

Race against time to preserve records

In 2023, PARADISEC1, the Pacific and Regional Archive for Digital Sources in Endangered Cultures, celebrates two decades as a vital online repository for the cultural heritage of endangered languages and musical traditions. Founded in 2003 and based at the Sydney Conservatorium of Music, the Archive focuses on preserving recordings from endangered regions such as Papua New Guinea, Vanuatu, the Solomon Islands and Australia, with a particular emphasis on Oceania. The archive’s vast collection has grown over time and now includes audio and video content in 1,350 languages. With a focus on Oceania, the archive contains recordings of performances, narratives, songs and oral traditions – a staggering total of more than 15,700 hours of audio and 2,600 hours of video. This collection of over 200 terabytes offers a profound insight into indigenous cultural practices.

A pressing challenge for the archive’s team is the digitisation of analogue material dating back to the 1950s and 60s. These analogue recordings, which are prone to degradation, risk becoming unplayable after 2025. In contrast, digitised versions offer longevity and accessibility. The PARADISEC team is racing against time to ensure these records are preserved and accessible, especially to communities with limited bandwidth. A unique tool using portable Wi-Fi networks makes it easy to access digitised materials. The importance of PARADISEC goes beyond preservation; it serves as a bridge between past and present cultural practices. The archive is central to preserving the identities of Indigenous communities, underpinned by language and music. Steven Gagau, a Tolai man from Papua New Guinea, emphasises how PARADISEC empowers speaker communities, enabling them to access and engage with their cultural heritage.

Dr Amanda Harris, Director of PARADISEC’s Sydney Unit, highlights the creative potential unlocked by the preservation of language and song recordings. The archive not only preserves traditions but also inspires innovative uses for the future. Over two decades, the collection has grown in both content and community engagement, fostering a deeper connection between Australia and its Pacific neighbours.

Jodie Kell, audio engineer and manager of the PARADISEC laboratory in Sydney, highlights the challenges faced during the preservation process, including the fragile condition of some analogue tapes. Despite these hurdles, digitisation breathes life into fragile recordings and brings invaluable cultural artefacts back to life. The archive’s online accessibility ensures that recordings of cultural heritage are available to speaker communities and researchers alike. As technology evolves, PARADISEC remains at the forefront, exploring innovative ways to engage remote regions. Recent collaborations have highlighted the symbiotic relationship between archives and communities, demonstrating that reviving ancient practices through singing can be a creative, transformative endeavour.

  1. Paradisec (2023): Race against time to preserve pacific recordings, in: The National Tribune, “, [Last Access: 15.08.2023] []

Hello from Australia!

This post reaches you from Melbourne! I arrived yesterday in Australia and will soon take part in the 50th Anniversary Conference of the Australian Historical Association between 3 and 6 July 2023. Therefore, I still have some days to practice and to shake off my jet lag!

On 5th July, I will contribute a case study in the Panel “Freedom & Coercion: Labour in the maritime contact zone” chaired by Eva Bischoff, together with Jared Davidson and Lena Moser. You can find the full program here:

Linden-Museum in Stuttgart

Last weekend, I had the opportunity to visit the LindenMuseum in Stuttgart – Staatliches Museum für Völkerkunde. Reason of my visit were two exhibitions:

The temporal LindenLab 3 exhibition:”Across Time, Place and People
Whakawhānaungatanga: Connecting taonga Māori

Between December 2022 and June 2023, this collection explores the collection of almost 150 Māori treasures from Aotearoa New Zealand. These treasures, including clothing, jewelry, weapons, carvings, and a carved house, have diverse origins and were acquired through gifts, purchases, and exchanges. Even though they have limited knowledge about their genealogy and history, they have great significance for Māori today. LindenLAB 3, a project with Māori researchers and experts, wants to make new connections and meaning by finding out where these taonga came from and showing how important they are in culture through creative presentations. The exhibit emphasizes the dynamic nature of the collection and its connections to individuals, neighborhood groups, educational institutions, and nations.

The Museum explains that the objects have arrived Stuttgart by somehow “winding paths”: “they were gifts from European travellers, acquired by patrons for the museum or taken over from other collections through exchange or purchase. Little or nothing is known about their whakapapa (genealogy) – the names of their makers, their former owners and their history in Aotearoa New Zealand. Yet the taonga are important and full of meaning for Māori today.”1

By examining historical and contemporary taonga Māori, the project show connections that link the collection to individuals, local communities, institutions, and nations. The focus is on presenting these relationships in a way that respects the cultural meanings, aesthetics, and artistic expressions of the objects. Each contributor brings their own perspective to the selected assemblages, emphasizing the ever-evolving dynamics of the living collection.

The LindenLab partners from Atoearoa New Zealand include:

Ngarino Ellis (Ngāpuhi, Ngāti Porou) is an Associate Professor of Art History at the University of Auckland and author of A Whakapapa of Tradition: 100 years of Ngāti Porou carving, 1830-1930 (2016). She has led and coordinated the LindenLAB 3 partners since the project’s start.

Dougal Austin (Kāti Māmoe, Kāi Tahu, Waitaha) is curator of the Māori collections at Te Papa Tongarewa Museum in Wellington and author of Te Hei Tiki: an enduring treasure in a cultural continuum (2019).

Awhina Tamarapa (Ngāti Kahungunu, Ngāti Ruanui) worked as a curator at Te Papa Museum and is a Teaching Fellow for the Museum and Heritage Studies program at Victoria University Wellington where she is also completing her PhD. She is the editor and author of Whatu Kākahu / Māori Cloaks (2011).

Justine Treadwell is a PhD candidate in Art History at the University of Auckland. Her research focuses on 18th century Māori cloaks held in European collections. Previously she has worked at Auckland Museum on the storage of the Māori textile collection.

The permanent “Oceania” Collection:

The carefully curated collection features over 600 objects, ranging from ancient to contemporary, shedding light on the traditions, beliefs, and lifestyles of Oceania’s diverse communities. Spanning across the vast Pacific Ocean, Oceania encompasses an incredible diversity of cultures, each with its own unique heritage. The Linden Museum’s “Ozeanien” exhibition showcases this richness, offering visitors a glimpse into the customs, art, and spirituality of various Pacific Island groups, including Polynesia, Micronesia, and Melanesia.

From ceremonial masks adorned with intricate carvings to intricately woven textiles and navigational tools, every artifact in the exhibition carries deep cultural significance. Each piece tells a story, illustrating the Pacific Islanders’ connection to their environment, ancestors, and mythologies. Through these artifacts, visitors gain a deeper appreciation for the craftsmanship and artistic expression that characterizes Oceania’s cultural tradition.

  1. LindenLab 3 in: LindenMuseum Stuttgart,, [last Access: 14.6.2023] []
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